Miss Marianne Faithfull:

Miss Marianne Faithfull:
(Born December 29, 1946; Capricorn) - Songs she inspired: She Smiled Sweetly, Let's Spend The Night Together, She's Like A Rainbow, You Can't Always Get What You Want, Wild Horses, I Got The Blues, 100 Years Ago, Winter

Miss Anita Pallenberg:

Miss Anita Pallenberg:
(Born January 25 or April 6, 1944) - Songs she inspired: You Got The Silver, Sister Morphine (words by Marianne), Wild Horses, Coming Down Again, Angie, Beast Of Burden, All About You

Sunday, November 29, 2009

The Drug Bust At Redlands: The Stones, The Establishment, The Girl In The Fur Rug, and the most infamous house party of the 20th century

Mick before a scheduled TV performance on Sunday, February 5, 1967.  He took the opportunity to announce that he was suing The News Of The World for libel, over an article that appeared that morning:

Weekend of the bust, Keith clad in Afghan coat at Redlands:

With Robert Fraser's manservant Mohammed at the beach:

With The Acid King:

Morning after the bust:

February 20: Keith hops a taxi seeking legal advice on the forthcoming trial:

May 10, outside Redlands:

May 10 at the Chicester Magistrates Court:



The trial of Mick Jagger, June 27:

Marianne arrives on the scene:


The trial of Keith, June 28:

Freed on bail:

Acquitted of all charges, Mick holds a press conference on July 31, before escaping with Marianne:


February 12, 1967. Early in the evening, beneath the thatched-roof of a country house called Redlands, a relaxing winter weekend is winding down. Keith Richards, ever the genial host, had invited some of his closest friends down from London for a mini getaway, which included a long, somewhat tranquil acid trip. The acid was courtesy of one of the weekend’s guests of honor, a Californian (or Canadian, I've read different accounts) who went by the name David Schneiderman, but was appropriately knicknamed "The Acid King". Also in attendance were Mick and Marianne, high not just on acid (together for the first time), but on the excitement of their early romance; Robert Fraser, art dealer and great friend of the Stones, plus his Moroccan manservant Mohammed; antique dealer Christopher "Chrissie" Gibbs, another member of their exclusive circle; ever-present photographer and friend, Michael Cooper; friends George and Pattie Harrison, the shy Beatle and his pretty blonde wife; and Nicky Kramer, described as "a hippie from Chelsea" by Bill Wyman. Anita and Brian, who had tripped at Redlands several times before, were missing in action. According to Keith, Brian had started the usual violent fight and therefore they didn't turn up. Anita has said that they were planning on going, but then the Sunday night call from Keith came through announcing they'd been busted and to not bother. Maybe both.

By midnight on Saturday, February 11, all the guests had arrived. From Old Gods Almost Dead: "A fire was going in the great Tudor hearth, the guitars came out, joints were passed. In connection with his own recent obscenity bust, Fraser talked about his friend Stephen Ward, the society osteopath who had killed himself after being framed for pimping in the Profumo Scandal. Then they all went to bed and slept until noon, when the Acid King started making his rounds." Sunday was spent hanging around at the beach, with Keith wandering around in his Afghan coat and oversized shades, Michael Cooper snapping away. Keith describing his Sunday morning: "I woke up around 11:00 AM. Schneiderman was up and dressed when I awoke. Mohammad was in the kitchen. I went into the garden for an hour or so. I had no idea what the rest of the guests were doing indoors, but went back in because I heard there was talk of a beach party. Except for two, all the guests went in Schneiderman's minivan. Later on during the afternoon, everybody went on a minibus mystery tour around West Sussex." "We had a quasi-cultural expedition to the house of Edward James, the father of English surrealist art, at West Dean on the Downs," Christopher Gibbs explained, "In the evening we went back to the house and sat around talking, playing records, and watching TV. Everything was perfectly respectable." Everyone was quite tired and wanted only to relax, having had an enjoyable trip. "Mick was great to be around," Marianne recalled, of Mick on acid. "Very calm and cool, without his usual nervous energy." After Mohammed served dinner, George and Pattie left for their house in Surrey and Marianne went upstairs to have a bath. Pattie: "It was the first time that we'd been to the house at West Wittering and I can't remember why we were invited. It didn't seem to be a special party; it just seemed to be friends of Keith." Outside of the house, a waiting force of police officers saw George and Pattie drive off, and Keith maintains that it was not for nothing. "They were out there all day, waiting for George to leave. From then on, we were fair game."

Marianne: "My clothes were all covered with sand, dirt, twigs in my hair, the normal sort of wear and tear of being on a trip outside. It was such an intense trip that I was quite relieved when we started to come down. That's when I went and took my bath. I was the only one who hadn't brought a change of clothes and I dealt with it by wearing this beautiful fur rug. It was very large, six by nine feet or something. It would have covered a small room." Marianne walked downstairs to the reverberating music of Dylan's recent masterpiece, Blonde On Blonde. Then someone noticed something most peculiar: a face peering in through one of the leaded windows. Probably some fan. Then there was a knock on the door. "I remember having this absurd idea of telling everyone to be still. 'If we don't make any noise, if we're all really quiet, they'll go away.' A typical Marianne response if there ever was one! Make yourself very small and it will disappear. This time, I'm afraid, it didn't work," Marianne wrote in her autobiography. Keith reluctantly opened the door and in stepped Chief Inspector Gordon Dinely, announcing that he had a warrant to search Redlands. "Vision of Johanna" was playing. Keith: "We were just gliding off from a twelve-hour trip. You know how that freaks people out when they walk in on you. The vibes were so funny for them. I told one of the women with them they'd brought to search the ladies, 'Would you mind stepping off that Moroccan cushion? Because you're ruining the tapestries.' We were playing it like that. They tried to get us to turn the record player off but we said, 'No. We won't turn it off but we'll turn it down.'" The nineteen cops began dividing the small party into groups to search them. Apparently, they were quite pleasant with the guests, especially Robert Fraser for whom they had utmost respect, no roughhousing or other such degradation. Of course, many of the guests were freaking: besides possessing the usual marijuana and acid, The Acid King had tons of illicit drugs, which were kept in a suitcase, which, if searched, would equate to more than a hefty prison stint. When the cops were searching The Acid King and asked him to open the suitcase and reveal its contents, he told them that he had very delicate film inside and that opening the case would destroy it forever. Somewhat amazingly, they believed him. They found a heroin tablet on Fraser (not that they would know it was heroin), and thus confiscated it for lab testing, apologizing for the trouble. They also found some ampethamine pills in the pocket of Mick's dashing green coat, which had been long since forgotten, as Marianne had purchased them when she and Mick were in San Remo, Italy for the San Remo Song Festival. The pills were hers, but Mick, ever the gallant Leo, said that yes, they were his, bought in Italy for his long hours, and that his physician had given him the verbal "OK" over the phone to use them. These too were taken with the police. Other than that, they took a lot of incense and left all the hard drugs! Three lady cops brought the rug-clad Marianne upstairs to search her, where she jokingly screamed to Mick that they were going to rape her. Supposedly when Marianne was downstairs in front of the whole crew, she let her fur rug fall off one shoulder so that her breasts were exposed. Clearly this act of pure debauchery and scandal delighted the police, who in published reports flashed on the front pages and later brought up in trial frequently wrote of this "scantily clad", "nude", "nymphomaniac" girl-woman. After collecting their various evidence, the cops informed Keith that if the tests came back and proved these tablets, pills, ashes, etc were in fact illegal drugs, he would be charged with a violation of 1964's Dangerous Drug Act for allowing these to be consumed on his property. And with that, they left.


WHY?
One may wonder how this all happened. How the police obtained a warrant, and why they busted Redlands that fateful night, when many such weekends had happened there before and since. Why did the "establishment" so strongly have it out for the Stones?

Well, the powers that be had felt threatened by the Rolling Stones for quite some time. Their very appearance filled parents and law-makers with a feeling of profound dread, that the children of Britain would somehow instantly be corrupted by boys who sang about sex, dressed in outlandish, beautiful clothes, and who openly expressed their opinions. Ironically, a certain newspaper, the gossip-filled, self-serving publication News Of The World, themselves quite corrupt and low brow, was eager to get any dirt on the Stones. So, imagine their delight when two News Of The World reporters stumbled across Brian Jones at a bar one night in mid 1966. Brian at that time was still going round telling people that he was the "leader" of the Stones. The reporters began to chat Brian up, and somehow the topic turned to the use of acid. "Yeah, I don't really use it too much anymore," Brian told them, but took out a piece of hash and invited them to his place for a smoke. They chatted a while longer until the reporters got up to leave, declining Brian's most generous offer. "What was your name again, sir?" they asked Brian, delighted they'd got such savory quotes from the unassuming Stone. "Mick Jagger," he told them with a smug smile, and he and his hangers-on laughed about that the rest of the night.

The Stones, Mick in particular, were then shocked to read an article in the News Of The World published on February 5, 1967 (one week before the bust). The article was some five-part expose about pop stars and drugs. The paper claimed that Mick had admitted to having taken LSD at the home of one of the members of The Moody Blues. The paper quoted "Mick" as saying, "I don't go much on LSD now the cats [fans] have taken it up. It'll just get a dirty name. I remember the first time I took it. It was on our tour with Bo Diddley and Little Richard..." Marianne, who with Mick poured over the article in bed that morning, laughed and told him that, of course, it was Brian, that they'd confused Mick with Brian. Mick, however, decided to take legal action and sue the News Of The World for libel (and meanwhile began planning a real acid trip that weekend at Redlands) - what Robert Fraser called "The Oscar Wilde Mistake". The law suit jeopardized the paper's credibility (which I wouldn't imagine was great anyhow), and after that, they really had it in for them. They were going to bring the Stones down.

The cops said that they obtained a warrant to search Redlands due to an anonymous tip-off (which was the News Of The World). But how exactly did they know about the weekend plans? Well, one thing is for sure: after the bust went down, David Schneiderman mysteriously disappeared, never to be heard from again. And at this point, pretty much everyone involved contends that he was hired by the paper explicitly for this purpose. Though it was never proven, there doesn't seem to be any other option.

When Mick and Keith (and Robert Fraser) arrived at Chichester Magistrates Court on May 10, 1967, the frenzy began - the crowds, the outcries, and of course, those gorgeous clothes! Keith transformed into a debonair outlaw hero during the months of the trial and Mick perfected his feminine, impeccably tailored cool, both clad in beautiful, expensive suits. The press reported all of their ensembles with gushing prose. They were released on bail, set at £100 each. That same night, Brian Jones' flat was raided by the cops and drugs, inevitably, were discovered. What were the odds?

On June 27 and June 28, Mick and Keith's trials began. It only took a day (June 29) for the verdict to be handed down: GUILTY (an uproar from fans and screaming girls). Mick was sentenced to three months in prison due to the pep pills in his coat jacket, and Keith to an entire year in prison, Wormwood Scrubs, for allowing cannabis to be smoked on his property. They were both taken to their respective prisons and locked up (Jagger and Robert Fraser were both sent to Lewes prison, after they had a lavish meal). Marianne went to visit Mick in jail, and when he cried, she told him to get it together and channel the experience into a song, although she admits that she was almost cruelly dismissive of his emotional state.  Keith Moon and his girlfriend wore "Free Keith" tee shirts, and the Who recorded two Stones songs, "The Last Time" and "Under My Thumb" in support. Mick and Keith only spent one night in jail, although it was enough for Mick to get inspiration for the next Stones single, a thank-you to fans called "We Love You" (see previous post for shots of the awesome video that was filmed along with the single). Finally, on July 31, the court of appeals overturned the verdict against Mick and Keith and the storm was over. Mick held a press conference right afterwards to hungry press reporters, and then he and Marianne escaped via heliocopter for a much needed holiday.

AFTERMATH
The funny thing about the whole Redlands bust is that its intent to bring down the Stones, and to restore some sort of moral order to England by doing so, totally backfired. No doubt there was damage done, and the ordeal took its toll on some (notably Marianne and Robert Fraser), but Mick and Keith came out of it stronger than ever. They were heroes. A breakthrough occurred when respected Times writer William Rees-Mogg published an editorial on July 1 entitled “Who Breaks A Butterfly On A Wheel?”, which was a critical response to the sentences given to Mick and Keith on June 29. It most likely played a pivotal role in their cases being overturned. Here was someone from “the establishment” saying things like, “There must remain a suspicion in this case that Mr. Jagger received a more severe sentence than would have been thought proper for any purely anonymous young man."

The trial also was huge PR. The hype, outrage, excitement and uncertainty surrounding the case was big news; you know that old showbiz saying. It was also a critical bonding experience for Mick and Keith, one that Brian wasn’t a part of despite his own busts. This camaraderie fueled their songwriting partnership and further alienated an ever-disintegrating Brian. A downside of the trial was that the new Stones album, Their Satanic Majesties Request, released late in 1967, some say as an answer to the Beatles’ triumphant Sgt. Pepper’s, was hastily put together and did not receive the acclaim everyone had hoped. But a little time off was in store, and afterwards the Rolling Stones would emerge with their greatest music. The Redlands bust is a huge part of the Stones’ mythology. It cemented their outlaw, bad-ass appeal and made it even more marketable than before. The establishment may have thought this was the end, but little did they know it was only the beginning.

All photos = my scans

Friday, November 27, 2009

The Rolling Stones 1975 Tour Of The Americas - Part 1


The Warhol shoot:

Keith holding daughter Dandelion:

Keith and nearly six-year-old Marlon:

A fantastic, rare portrait of Bob Dylan backstage at the Madison Square Garden show, June 22:

Bianca at the New York afterparty with King of Cool, Iggy Pop:

Bianca makes the White House:

July 5, 1975: Fordyce, Arkansas, Ronnie and Keith spruced up for their "dope-bust press conference":

July 9, opening night in Hollywood.  Jann Wenner of Rolling Stone (center) wrote that the concert was "possibly the best Stones concert ever":


Bianca, in a considerbaly more playful mood than she is often afforded to having:

Mick with Lisa Robinson:

Mick on his 32nd birthday, July 26, 1975, the proud Leo celebrating at 31,000 feet.  The Stones are en route to Detroit:


The 1975 Rolling Stones Tour Of The Americas (TOTA) was an epic journey to say the least.  It was a 24-city tour with an audience of over a million people, the first tour of its size ever.  It was even featured in "The Wall Street Journal" for being so record-breaking.  Here are some photos, courtesy of Annie Leibovitz and Christopher Sykes, scanned by me from their 1978 book "The Rolling Stones On Tour".  The (few) pictures of Bianca in the book are fantastic, and many photos are intimate, back stage portraits of Mick, Keith and crew.  I didn't have the energy to scan all of the photos, so we can consider this Part 1.

From the book, text by Terry Southern, "And yet, despite the ultimate and monumental success of the tour, things did not always go smoothly.  The trouble was not so much from within the group (though there were instances of stress and friction, granted) but from the outsiders:  tourist-types, music-lovers, hero-worshippers, souvenir-hunters, run-away-teenies, young ill-informed musicians hoping to replace guitarist Mick Taylor who had recently left the group, and quite unaware, of course, that inside the house, at that very moment, the great Ron Wood was picking a line that would have set Bo Didddley's top a 'tappin'!"

Wednesday, November 25, 2009

Please stop stealing pictures whoever you are

I was looking at The Fashion Spot just now and I realized that there are two sites on some place called Tumblr that routinely take the Marianne and Anita photos from my page and pretend they're her's (I can only assume that a girl owns both pages).  These sites are: http://fuckyeahmariannefaithfull.tumblr.com/ and http://fuckyeahanitapallenberg.tumblr.com/.  If you want to post my photos on your page, fine, but at least say where they came from. Jesus! I've spent tons of money and time buying and scanning this stuff, and I know that a lot of the Marianne pictures aren't going to be found anywhere else on the net.  I used to post some Anita pictures from the Multiply site, which is the most thorough page of Anita I've EVER seen, and the owner of that place had them taken down.  Now, I totally understand how she feels!  So, if you're the person who keeps using my Marianne and Anita scans, kindly stop. K, thanks.

Tuesday, November 24, 2009

Hey babe, what's in your eyes?

Escaping from Brian

Venice

Yellow Submarine premiere

Hanging with Gram Parsons in Los Angeles

Redlands

At home, Cheyene Walk

Heathrow

Marlon born

Performance premiere

Mick and Bianca's wedding

South of France

Backstage at a faces show, late '74


"Of all the Stones' ladies she has always appeared the most ideal female counterpart to the band's chosen lifestyle; far more so than the ever-so-fragile Bianca Jagger, or the beautiful but fated melancholy and outrage that personified Marianne Faithfull. Anita always seemed tough.  She was easily Jagger's equal when she played Pherber, part of Turner's menage a trois, in Performance.  She had true style -- she was beautiful and dangerous."
-an excerpt from a Stones article from an old issue of Creem.

I know I babble about this topic endlessly, but has there ever been a rock n' roll couple more perfect than Keith and Anita, I wonder?  Of course, the question is rhetorical.  Anita was the ultimate rock n' roll chick - the standard to which all rock wives, groupies and muses must be forever judged, and Keith was the King of Cool.  He was desperately in love with her, and the songs crafted in her honor ("You Got The Silver" being my personal favorite) are some of the Rolling Stones' most poetic and sincere moments.  I'm too tired for an elaborate post on their passionate and tumultuous love affair, but I thought I'd post a few of my K & A photos.

All photos = my scans

Thursday, November 19, 2009

We Love You

Note Keith's coat.  It was painted by Mick's brother, Chris, and is the same one Mick can be seen wearing in 1968 on the set of Marianne's film The Girl On A Motorcycle:

The video for "We Love You" was filmed on Sunday, July 30, 1967.  Mick and Keith had recently been released from their charges for the Redlands Drug Bust, and "We Love You" was a song Mick thought up in jail, a sort of "thank you" to the fans for their unflinching support.  In a stroke of genius that was totally in their humor, Mick and Keith decided to film a short video recreating the legendary trial of Oscar Wilde in 1895 (he was found guilty of homosexual behavior).  Keith plays the judge, replete with a wig made up of The News Of The World prints about the bust (The News Of The World were responsible for tipping off the police about the drugs at Redlands).  Mick, naturally, plays Oscar Wilde, and Marianne, his gay lover "Bosie".  That fur rug you see? The one Marianne was found in.

All photos = my scans (photos were taken by Anthony Stern, film by Peter Whitehead).

Tuesday, November 17, 2009

The Girl On A Motorcycle, Take 3






This is my third post on Marianne Faithfull's 1968 film, The Girl On A Motorcycle, believe it or not.  And, like the movie, this post is waaay more visual than it is informational!  Many of these shots are quite new, as in, they are courtesy of old magazines that I've recently purchased and scanned.  And indeed a couple of them are never-before-seen, at least not by me.  When I finally saw this movie earlier in the year, I wasn't disappointed, but my expectations weren't high to begin with.  The storyline is terribly ridiculous (newly wed Rebecca - Marianne - is bored by her regular-Joe husband and upon receiving a motorcycle from her former lover - played by French heartthrob Alain Delon - has lurid fantasies about fucking him as she rides around town on the new bike).  Most of the time, quite honestly, I didn't know what was going on.  It's a very 60's film, dreamlike and often nonsensical, and I'm sure it was meant to have some sort of analytical value.  There's very, very little dialog; most of the movie is Marianne riding around while we hear her thoughts spoken out loud.  The movie is carried solely by Marianne's beauty and bod, by the appealing, slightly pornographic images of a blonde, ex-convent schoolgirl with big blue eyes and long, thick blonde hair dressed in skintight black leather.  A complete fantasy.  Unfortuntaely, there wasn't a whole lot of separation between the image of "Rebecca" and the image of real-life Marianne; by that point, her innocent public persona had been shattered by the Redlands drug bust and the precarious title of "Miss X", the "nymphomaniac" in the fur rug.  So if you think about the movie from that light, it's actually rather sad, a demeaning sexploitation flick.  But if considered in another light, the film is not quite so guilty.  If nothing else, it is a rare treasure, a legendary artifact: ninety minutes of the most beautiful girl in the world, preserved forever.  Director Jack Cardiff on Marianne:  "Never since I first saw Marilyn Monroe through the camera lens have I seen such irresistible beauty.  To focus on her is to focus the camera on your innermost heart." Alain Delon:  "She is a happening all to herself.  She is the type of girl men fought dragons for in mythology, the type that duels have been fought over."  Couldn't have said it better myself, guys.

All photos = my scans

Sunday, November 15, 2009

Something in the way she moves




























Kate Hudson has always been one of my favorite women in Hollywood.  Coming from that place of huge advantage and disadvantage -- having famous parents -- Kate completely broke free after her stunning performance in Cameron Crowe's 2000 masterpiece, Almost Famous (my favorite movie ever).  Since then she's matured to a versatile actress who, despite several disappointing films, is still much in demand, and an A list star by anyone's standards.  Her enthusiasm and youthful good looks light up the silver screen, and she posesses that combination of vulnerability and sex appeal that men and women both find irresistible.  When she hooked up with Chris Robinson of the Black Crowes (one of my all time favorite bands), her rock n' roll chic look was perfected.  And for a rock girl like myself, I always found their coupledom delightful, as if she truly was part Penny Lane.  Her wholesome appearance next to Chris's long-haired, scruffy cool set them straight out of San Francisco in the late 60's, and was a dichotomy that I found compelling.  They seemed truly in love.  Unfortunately, their seven year relationship (marriage) dissolved in 2007, but there doesn't seem to be a whole lot of animosity, which no doubt makes it a bit easier for their son, Ryder (a gorgeous long haired hippie in training). I'm sure some of you love Kate just as much as I do.  Pictures courtesy of who's dated who, Google images, Life.