Miss Marianne Faithfull:

Miss Marianne Faithfull:
(Born December 29, 1946) Songs she inspired: She Smiled Sweetly, Let's Spend The Night Together, She's Like A Rainbow, You Can't Always Get What You Want, Wild Horses, I Got The Blues, 100 Years Ago, Winter

Miss Anita Pallenberg:

Miss Anita Pallenberg:
(Born April 6, 1942) Songs she inspired: You Got The Silver, Sister Morphine (words by Marianne), Wild Horses, Coming Down Again, Angie, Beast Of Burden, All About You

Tuesday, September 22, 2009

One Plus One

She was certainly no Marianne, but...
"He left Marianne behind when he left England, and, after enjoying himself for a time as one of European high society's most eligible bachelors, he gave his fans a real shock -- and confirmed his top-of-the-gossip-column status -- by announcing his impending marriage to Bianca Perez Moreno de Macias, actor Michael Caine's ex. The wedding ceremony, held in St. Tropez on May 12, struck a crushing blow to the Stones' rock n' roll credibility. Mick failed to realize that most of his fans had bought the image he'd created for himself over the years, the image of the androgynous anarchist-trickster, implacable of the establishment. And his new image -- the social butterfly and talk-of-the-town celebrity -- appalled them. It appalled Keith Richards, too. He registered his own private protest at the wedding by hurling an ashtray through a thick glass window.

Given Mick's restless nature, his fascination with extremes and his determination to carve out a long-term career that would sustain him after he was too old to rock n' roll, partying with and even marrying into the Western social elite made perfect sense. But Stones fans who weren't simply grossed out by it were at least mystified. Rock icons had entered into surprising marriages before, but not without attempting to explain themselves. John Lennon had gone out his way to explain his love for Yoko Ono -- in songs, on the backs of albums and in interviews. But Mick had almost nothing to say about Bianca, in his music or in the press, until the relationship began to sour a few years later, and there were plenty of gossip columnists who had nothing better to do than fill this factual vacuum with endless speculation. Someone noticed that Mick and Bianca bore a remarkable resemblance to each other, and on this slender thread a heavy load of amateur psychoanalysis was hung.

Mick never offered much rejoinder to these idle speculations, and his relationship with Bianca remained an intensely private one; the Mick-and-Bianca-go-dancing candid photos and all the gossip column items were ciphers, revealing nothing. It seems likely that he kept the relationship private because he was genuinely in love, with a genuine flesh-and-blood woman, though their physical resemblance may well have been an additional turn-on."


(All photos scanned by me; text by Robert Palmer)

Wednesday, September 16, 2009

Blonde On Blonde

The first known picture of Anita and Brian, taken by early Stones photographer Bent Rej. Anita got backstage with him after a Stones show in Munich in September 1965; it was the fateful night that she entered their world:
At Tara Browne's 21st birthday party:
En route to Marrakesh:
ANITA ON BRIAN
"I decided to kidnap Brian. It sounds ridicuous... But they even made a movie about it, about kidnapping a pop star... 'Privilege'. That was the original story. It was supposed to be Brian. Brian seemed sexually the most flexible. Guys or girls? It didn't matter. The others all seemed to have a chick on their side with a toupee, false eyelashes, and all that. You know what I mean? And foam for the fanny and stuff for not getting pregnant and all that shit. Brian I knew I could just talk to him. As a matter of fact, when I met him I was his groupie, really."

"I met him first in the Oktoberfest circus. I got backstage with a photographer. I told him I just wanna meet them. I tell you I had a piece of hash and amyl nitrates. There were the Troggs, Spencer Davis, Steve Winwood. They were the opening act. Backstage, it was like where the horses walk, it was a beerhall atmosphere... I asked him if he wanted to smoke a joint and Brian says, 'Yeah, let's smoke a joint.' So he says, 'Come back to the hotel.' Then he sat and cried there all night long. He was my groupie, I had a fling. But it wasn't American-style 'Let's go and have a good time'. Brian was a pain in the ass, you know. He was so vulnerable, he was so upset about Mick and Keith. They had teamed up on him and I really felt sorry for him. Brian had everything going for him. Brian was FAN-TAS-TIC! He was a very complicated person, like he used to dye his hair, blonde it, and I used to cut it and he had like four mirrors all around him. Well, I used to dye it blonder, he was really into chicks. He was quite a bully, like small guys are. He's a small guy, like when he got drunk, like what he would do if he felt threatened -- that's when I knew trouble was coming. "

******

Another part of Stones lore: I've read in several publications that the title of Dylan's masterful album Blonde On Blonde was (or indeed may have been) inspired by the coupledom of Anita and Brian, who circa 1966 looked like carbon copies of each other. Dylan was spending a lot of time in London then, and hung out with Brian quite a bit (although Dylan and his co-hort Neuwirth were supposedly quite mean to him at times). Dylan had a well-known nasty streak, and cut people down when he felt like it. He was so worshipped at the time that 'peasants' waiting to pay homage to their folk God often found his presence terrifying. For a character like Brian, who was so fragile and sensitive already, it wasn't exactly an easy friendship. Photos: my scans

Wednesday, September 9, 2009

Stand By Your Man

Recording "Sympathy For The Devil":
At a Stones show in '68:
I'd never seen this picture before, so I was excited to scan it; at the same concert as above (obvi):
All images are scans or screen caps by me

Making Music

(All images -- scans by me from various publications. Taken by Gered Mankowitz)

I really love these photos of Mick and Marianne in the studio, they're such intimate portraits. She looks so fragile and timid about the recording process, and you can tell he actually cares and is helping her. And that hat!

For more of Gered's incredible photos, or to buy one of his books, visit:

Monday, August 31, 2009

Halllucinating at Joshua Tree

Marianne:
All images by Michael Cooper, scanned by me except the first is from a Michael Cooper photography exhibition website.